Kun Opera

  • 网络昆曲;昆剧
Kun OperaKun Opera
  1. As an active muscle cell , Kun Opera 's main functions exist in decorating social life .

    昆曲作为江南社会肌体的活跃细胞,其作用和功能主要有:丰富、美化社会生活;

  2. As Chinese traditional art pristine and symbolic element around the world Kun Opera plays an very important role .

    在我国的传统艺术精粹和世界范围的中国元素符号中,昆曲占有十分重要的地位。

  3. Kun Opera and the Modern Time Chiang-Nan Social Life

    昆曲与近世江南社会生活

  4. Kun opera has a whole complete set of performing system and owns rich repertoire .

    昆剧表演艺术是一个完整的艺术体系,剧目丰富多彩。

  5. A Superficial Exploration of the Costume in Suzhou Kun Opera

    苏州昆剧服装艺术探微

  6. Researchers focus on the Kun Opera costumes artistic characteristics and Kun Opera clothing regulation of worn or characteristics .

    本文研究将重点关注昆剧服饰的艺术特色,以及昆剧服装的穿戴规制与特点。

  7. This article research from angle of Art Design to Analysis traditional clothing of Kun Opera ( Style , Fabric , Color , Patterns , Technology ) .

    论文从设计艺术学的角度出发,研究分析昆剧传统剧目中的典型人物服饰(款式、色彩、纹样、面料、工艺)。

  8. Mass media at present is characteristic of distinct times . Specifically the text form of Kun opera is a practical problem worthy to analyse deeply .

    当代社会的大众传播媒介具有鲜明的时代特征,在昆曲文化传播的文本形态中如何体现是值得深入分析的时新课题。

  9. Backbone in the Decline of Kun Opera and Start of Pop Opera & On the Writing Art of Opera by Jiang Shiquan

    昆坛衰运之殿军案头戏文之滥觞&简论蒋士铨戏曲的写作艺术

  10. Yan Yulou supply tea wine pasta night , another Kun Opera Society was held on the lake will add to the fun song .

    烟雨楼通宵达旦供应茶酒面食,又有昆曲社在湖上举行曲会助兴。

  11. Puxian since formation , the song has been in place for nearly a thousand years of history , than the Kun Opera also has three hundred years earlier .

    莆仙戏自宋代形成,至今已有近千年的历史,比昆曲还早了三百年左右。

  12. The decline of Kun Opera right results from the lacking of such folk characteristics , which confirms the role of Tang Ying played in the history of Chinese opera .

    而民间性的缺失,正是昆曲衰落的原因,这就确证了唐英在戏曲史上的地位。

  13. Tang Ying and Jiang Shiquan , two of the three masters of Kun Opera in the middle of Qing Dynasty , play important roles in the history of Qing opera .

    唐英与蒋士铨并列清中叶戏曲三大家中,在清代戏曲史上占有重要地位。

  14. Most people were used to performing Kun Opera in the social activities of religious belief , celebration , communication , traveling , etc. Even some persons took it as one major subject in everyday life .

    人们在信仰、喜庆、社交、冶游等社会活动中多以昆曲伴奏,有些人甚至把它当作日常生活的必修课。

  15. Zai Mei Bian , the first track , was inspired by the Kun Opera The Peony Pavilion , a masterpiece by Yuan Dynasty dramatist Tang Xianzu .

    第一首歌《在梅边》的灵感来自元朝剧作家汤显祖的昆曲-《牡丹亭》。

  16. Previously active in Wenzhou , Kun opera stage and Luan Tan despite the decline of traditional opera opera trend , but still had a certain strength , performance and market impact and their troups started to battle with the emerging for market share .

    原先活跃在温州戏曲舞台上的昆剧、乱弹传统剧种剧班虽呈衰落之势,但仍有一定演出实力和市场影响力,并与新兴剧班展开市场争夺战。

  17. Throughout Ming and Qing Dynasties , Kun Opera has its unique ecological environment in which to bear fruit . Suzhou and its adjacent areas , as the first surviving environment of Kun opera , with its distinctive local color , cast the specific quality characteristics of Kun Opera .

    贯穿于明清之际的昆剧,正是在其所处的特有生态环境中结出的果实:苏州及其相邻地区作为昆剧生存的最初环境,以其鲜明的地域色彩铸造了昆剧特有的品质特征。

  18. Kun is an opera tune , drama , called Kun , Kun opera or .

    昆剧是一种戏曲声腔、剧种、简称昆腔、昆曲或昆剧。